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Richards, Phillip M. Black Heart: The Moral Life of Recent African American Letters. New York, NY : Peter Lang, 2006.
Ritzenberg, Aaron. "The Dream of History: Memory and the Unconscious in Charles Chesnutt's the House Behind the Cedars." Passing in the Works of Charles W. Chesnutt Eds. Wright, Susan Prothro and Ernestine Pickens Glass. Jackson, MS: UP of Mississippi, 2010. xiii, 132 pp. Print.
Robinson, Angelo Rich. "Race, Place, and Space Re-Making Whiteness in the Post- Reconstruction South." Southern Literary Journal 35.1 (2002): 97-107.
Roe, Jae H. "Keeping an 'Old Wound' Alive: The Marrow of Tradition and the Legacy of Wilmington." African American Review 33.2 (1999): 231-43.
Ryan, Barbara. "Old and New Issue Servants: 'Race' Men and Women Weigh In." Post-Bellum, Pre-Harlem: African American Literature and Culture. Eds. Barbara McCaskill and Caroline Gebhard. New York: New York UP, 2006. 89-100.
Samuel, Kameelah Martin. "Charles Chesnutt and the Legacy of the Conjure Woman." Studies in the Literary Imagination 43 2 (2010): 15-30. Print.
Schmidt, Peter. "Command Performances: Black Storytellers in Stuart's 'Blink' and Chesnutt's 'the Dumb Witness'." Southern Literary Journal 35.1 (2002): 70-96.
Sedlack, Robert P. The Evolution of Charles Chesnutt's The House Behind the Cedars. 1975 College Language Association Journal 19, 1975: 125-35
Sheehy, John. "The Mirror and the Veil: The Passing Novel and the Quest for American Racial Identity." African American Review 33.3 (1999): 401-15.
Short, Gretchen. "The Dilemmas of Reconstructing the Nation in Albion W. Tourgée's a Fool's Errand and Charles W. Chesnutt's the Marrow of Tradition." REAL: The Yearbook of Research in English and American Literature 14 (1998): 241-67.
Silver, Andrew. Minstrelsy and Murder: The Crisis of Southern Humor, 1835- 1925. Baton Rouge, LA : Louisiana State UP, 2006.
Simmons, Ryan. Chesnutt and Realism: A Study of the Novels. Tuscaloosa, AL : U of Alabama P, 2006.
Slote, Ben. "Listening to 'The Goophered Grapevine' and Hearing Raisins Sing." American Literary History 6.4 (Winter 1994): 684-94.
Smith, Robert A. "A Pioneer Black Writer and the Problems of Discrimination and Miscegenation." Costerus: Essays in English and American Language and Literature 9 (1973): 181-85.
Sollors, Werner. "Thematics Today." Thematics: Interdisciplinary Studies. Eds. Max Louwerse and Willie van Peer. Converging Evidence in Language and Communication Research Number: 3: Benjamins, Amsterdam, Netherlands 2002. 217-35.
Sollors, Werner. "Charles W. Chesnutt's Historical Imagination." Passing in the Works of Charles W. Chesnutt Eds. Wright, Susan Prothro and Ernestine Pickens Glass. Jackson, MS: UP of Mississippi, 2010. xiii, 132 pp. Print.
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Stokes, Karah. "Ripe Plums and Pine Trees: Using Metaphor to Tell Stories of Violence in the Works of Gloria Naylor and Charles Chesnutt." The Critical Response to Gloria Naylor. Eds. Cameron Northouse, Sharon Felton and Michelle C. Loris. Critical Responses in Arts and Letters Number: 29: Greenwood, Westport, CT Pagination: 200-10, 1997. xi, 275.
Sundquist, Eric. To Wake the Nations: Race in the Making of American Literature. Cambridge: Harvard U P, 1993. Sundquist's chapter "Charles Chesnutt's Cakewalk" is one of the most frequently cited essays on Chesnutt.
Swift, John N., and Gigen Mamoser. "'Out of the Realm of Superstition': Chesnutt's 'Dave's Neckliss' and the Curse of Ham." American Literary Realism 42.1 (2009): 1-12. Print.
Terry, Eugene Charles W. Chesnutt: A Victim of the Color Line." Contributions to Black Studies 1, 1977: 13-44
Thomas, Brook. "The Legal Argument of Charles W. Chesnutt's Novels." REAL: The Yearbook of Research in English and American Literature 18 (2002): 311-34.
Thomas, Brook. "The Legal and Literary Complexities of U.S. Citizenship around 1900." Law and Literature 22 2 (2010): 307-24. Print.
Tirado Gilligan, Heather. "Reading, Race, and Charles Chesnutt's 'Uncle Julius' Tales." Elh 74.1 (2007): 195-215.
Van Dette, Emily E. Sibling Romance in American Fiction, 1835-1900. New York, NY: Palgrave Macmillan, 2013. Print.
Wagner, Bryan. "Charles Chesnutt and the Epistemology of Racial Violence." American Literature 73.2 (2001): 311-.
Wagner-McCoy, Sarah. "Virgilian Chesnutt: Eclogues of Slavery and Georgics of Reconstruction in the Conjure Tales." ELH 80 1 (2013): 199-220. Print.
Wallinger, Hanna. "Agitation in the Family: Charles W. Chesnutt's the Marrow of Tradition and Pauline E. Hopkin's Contending Forces." The Self at Risk in English Literatures and Other Landscapes/Das Risiko Selbst in Der Englischsprachigen Literatur Und in Anderen Bereichen. Eds. Gudrun M. Grabher and Sonja Bahn-Coblans. Innsbrucker Beiträge Zur Kulturwissenschaft: Germanistische Reihe (Ibk) Number: 29: Institut für Sprachwissenschaft, Universität Innsbruck, Innsbruck, Austria Pagination: 61-73, 1999. xvi, 381.
Watson, Reginald. "The Tragic Mulatto Image in Charles Chesnutt's the House Behind the Cedars and Nella Larsen's Passing." CLA Journal 46.1 (2002): 48-71.
Webb, Bernice Larson. "Picking at 'The Goophered Grapevine." Kentucky Folklore Record: A Regional Journal of Folklore and Folklife 25 (1979): 64-67.
Wegener, Frederick. "Charles W. Chesnutt and the Anti-Imperialist Matrix of African-American Writing, 1898-1905." Criticism: A Quarterly for Literature and the Arts 41.4 (1999): 465-93.
Werner, Craig. "The Framing of Charles W. Chesnutt: Practical Deconstruction in the Afro-American Tradition." Humphries, Jefferson (ed.). Southern Literature and Literary Theory. Athens: U of Georgia P, 1990. 339-365.
West, Roger. "Reconjuring Charles Chesnutt: A Review Essay." The Southern Quarterly: A Journal of the Arts in the South 33.4 (Summer 1995): 153-8.
White, Jeannette S. "Baring Slavery's Darkest Secrets: Charles Chesnutt's Conjure Tales as Masks of Truth." Southern Literary Journal 27.1 (Fall 1994): 85-103.
Williams, Andrea N. Dividing Lines: Class, Anxiety and Postbellum Black Fiction. Class: Culture (Class: Culture). Ann Arbor, MI: U of Michigan P, 2012. Print.
Wilson, Matthew. Whiteness in the Novels of Charles W. Chesnutt. Jackson, MS : UP of Mississippi, 2004.
Wilson, Matthew, and Marjan A. Van Schaik. A Business Career. By Charles W. Chesnutt. Jackson, MS : UP of Mississippi, 2005.
Wilson, Matthew, and Marjan A. van Schaik. Evelyn's Husband. By Charles W. Chesnutt. Jackson, MS : UP of Mississippi, 2005.
Wilson, Matthew, and Marjan A. Van Schaik. "The Letters of George Washington Cable to Charles W. Chesnutt." Modern Language Studies 36.2 (2007): 9-41.
Wideman, John Edgar. "Charles Chesnutt and the WPA Narratives: The Oral and Literate Roots of Afro-American Literature." Davis, Charles T. (ed.); Gates, Henry Louis, Jr. (ed.). The Slave's Narrative. Oxford: Oxford UP, 1985. 59-78.
Wilson, Matthew. "Reading the Human Stain through Charles W. Chesnutt: The Genre of the Passing Novel." Philip Roth Studies 2.2 (2006): 138-50.
Wilson, Matthew. Whiteness in the Novels of Charles W. Chesnutt. Jackson, MS : UP of Mississippi, 2004.
Wilson, Matthew, and Charles W. Chestnut. Paul Marchand, F.M.C. Jackson, MS : UP of Mississippi, 1998.
Wintz, Cary D. "Race and Realism in the Fiction of Charles W. Chesnutt." Ohio History 81 (1972): 122-30.
Wolkomir, Michelle J. "Moral Elevation and Egalitarianism: Shades of Gray in Chesnutt's The Marrow of Tradition." College Language Association Journal 36.3 (March 1993): 245-59.
Wonham, Henry B. Charles W. Chesnutt : A Study of the Short Fiction. Twayne's studies in short fiction ; no. 72. New York,London: Twayne Publishers;Prentice Hall International, 1998.
Wonham, Henry B. "'the Curious Psychological Spectacle of a Mind Enslaved': Charles W. Chesnutt and Dialect Fiction." Mississippi Quarterly: The Journal of Southern Cultures 51.1 (1997): 55-69.
Wonham, Henry B. "Plenty of Room for Us All? Participation and Prejudice
in Charles Chesnutt's Dialect Tales." Studies in American Fiction 26.2
(1998): 131-.
Wilson, Matthew. "Reading the Human Stain through Charles W. Chesnutt: The Genre of the Passing Novel." Philip Roth Studies 2.2 (2006): 138-50.
Wonham, Henry B. "What Is a Black Author? A Review of Recent Charles Chesnutt Studies." American Literary History 18.4 (2006): 829-
Wonham, Henry B. Playing the Races: Ethnic Caricature and American Literary Realism. Oxford, England: Oxford UP, 2004.
Worden, Daniel. "Birth in the Briar Patch: Charles W. Chesnutt and the Problem of Racial Identity." Southern Literary Journal 41.2 (2009): 1-20. Print.
Woude, Joanne van der, and Lucy Frank. "Rewriting the Myth of Black Mortality: W. E. B. Du Bois and Charles W. Chesnutt." Representations of Death in Nineteenth-Century Us Writing and Culture. Warwick Studies in the Humanities (Wsh). Aldershot, England: Ashgate, 2007. 89-105.
Wright, Susan Prothro. "In the Wake of D. W. Griffith's the Birth of a Nation: Chesnutt's Paul Marchand, F. M. C. As Command Performance." Passing in the Works of Charles W. Chesnutt Eds. Wright, Susan Prothro and Ernestine Pickens Glass. Jackson, MS: UP of Mississippi, 2010. xiii, 132 pp. Print.
Wright, Susan Prothro, and Ernestine Pickens Glass. Passing in the Works of Charles W. Chesnutt. Margaret Walker Alexander Series in African American Studies (Margaret Walker Alexander Series in African American Studies). Jackson, MS: UP of Mississippi, 2010. Print.
Zeigler, Mary B. "History and Background of the Charles W. Chesnutt Commemorative Stamp." Studies in the Literary Imagination 43 2 (2010): 1-4. Print.